家有魔犬
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7.0 |05月05日 19:08 |已完结
简介:
年轻鲍比锹谁拥有焦虑症发现他的治疗狗奥兹实际上是600年的历史,并曾一度由古代强大的巫师所拥有  次。在他十二岁生日鲍比被推进到一个新的生命,当他得知他的忠实的宠物真相谁很快决定了男孩和他丧偶  母亲的命运。
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757
1.0
已完结
镖行天下前传之终极任务
1.0
上映时间:05月05日 19:30
主演:吴奇隆,王鸥,文江,高雄,郭稼
简介:王兆兴从小一起长大的师妹在上次任务中牺牲,令王兆兴萌生去意,在京城中欲向车千户辞职,车千户令其站好最后一斑岗,押送一名投诚叛将到兵部。一桩看似简单的任务但危机四伏,在紧要关头谷平安等人赶来相助,终于完成了“终极任务”,而王兆兴的命运又如何呢?  大明朝锦衣卫飞鱼营校尉王兆兴的师妹晶晶在执行任务时牺牲。晶晶临死之前,奉劝王兆兴离开飞鱼营,原因是飞鱼营内部有问题。师妹没说完飞鱼营组织内部到底出了什么问题就咽了气,留给王兆兴无尽的痛苦和疑惑。带着师妹留下的疑惑和对平安镖局副总镖头谷平安的承诺,王兆兴启程赶赴京城,求见义父车千户大人。 飞鱼营是大明朝皇家卫队中最秘密、也是最值得托付的精英组织,内部有着严明的纪律和组织结构,擅自离开飞鱼营者将受到军法的处置。尽管如此,王兆兴仍然历数自己进入飞鱼营以来的建树和苦衷,最终征得义父的同意,但前提是要完成义父交代的最后一项任务,于天黑之前押送番军一名投降将军至兵部受审。  王兆兴于德胜门外从边防军将士手里接过押送番军投降将军穆天有的任务,几招驯服桀骜不羁的穆天有,将穆天有装扮成中原人士模样,按指定路线向兵部而去。在一酒肆门前,接连两拨黑衣杀手直奔穆天有而来,还口口声声劝飞鱼营校尉王兆兴少管闲事。王兆兴联手穆天有,击退黑衣杀手,同时查明此行系青蛇会所为。  青蛇会在江湖中人称“索命帮”,青蛇会怎么知道王兆兴的身份,以及王兆兴押送番军投降将军的路线?王兆兴决定全力完成这次终极任务,同时查明真相。与此同时,义父车千户大人为王兆兴离开飞鱼营上下奔走,平安镖局副总镖头谷平安牵挂王兆兴的安危,带着手下两个得力助手大牛和小马向京城赶来。  京城里,通往兵部的路上杀机四伏,已经与王兆兴形同朋友的穆天有无事生非,闯进春满楼妓院要给曾经的红颜知己赎身。穆天有在春满楼陷入锦衣卫校尉吴大海的围困之中,如果不是王兆兴及时赶到,穆天有的性命堪忧。原来,在穆天有押送兵部受审之前,设法要穆天有性命的正是吴大海,因为穆天有的受审,将危及到朝廷的几位高官。  王兆兴带着穆天有杀出重围,在及时赶到京城的谷平安的帮助下暂时脱离困境。谷平安将王兆兴和穆天有带到谭家酒坊商量对策,与锦衣卫结怨甚深的顺天府朱捕头横插进来,亲自护送王兆兴前往兵部。兵部门口,王兆兴一行击退吴大海,将穆天有平安送进兵部,揪出朝廷数名私通番邦的贪官。王兆兴离开飞鱼营,与谷平安结为百年之好。
757
已完结
镖行天下前传之终极任务
主演:吴奇隆,王鸥,文江,高雄,郭稼
175
9.0
已完结
明天我会醒来用茶水烫伤自己
9.0
上映时间:05月05日 19:30
主演:彼得·科斯特卡,伊里·索瓦克,弗拉迪米尔·门西克,伏拉基米尔·布劳德斯基,玛丽·罗苏尔科娃,奥托·希曼内克,瓦莱丽·赫梅洛娃,丝拉芙卡·布迪诺娃,约瑟夫·维特罗韦茨,苏珊娜·翁德劳霍娃,弗兰季塞克·维采纳,玛丽·德拉霍考皮洛娃,约瑟夫·布拉哈,弗兰季塞克·彼得卡,奥塔·斯克伦奇卡,斯瓦托普卢克·本尼斯,兹登卡·霍德尔,古斯塔夫·奥波琴斯基,彼得·纳罗兹尼,霍斯特·吉泽,卡雷尔·哈布尔,扬·普热乌奇尔,米罗斯拉夫·莫拉韦茨,伊里·拉布斯,尤莉·尤里斯托娃,亚娜·克劳索娃,伊里·里拉,维克托·毛雷尔,兹德涅克
简介:二战胜利后,纳粹军人克劳斯隐藏了起来,他通过服用抗衰老药,活到了20世纪90年代,他与双胞胎弟弟布拉格一起研制时光机器,计划利用时光机器返回1944年的德国,并将氢弹现给希特勒,使他战胜盟军,彻底改变现代历史...
175
已完结
明天我会醒来用茶水烫伤自己
主演:彼得·科斯特卡,伊里·索瓦克,弗拉迪米尔·门西克,伏拉基米尔·布劳德斯基,玛丽·罗苏尔科娃,奥托·希曼内克,瓦莱丽·赫梅洛娃,丝拉芙卡·布迪诺娃,约瑟夫·维特罗韦茨,苏珊娜·翁德劳霍娃,弗兰季塞克·维采纳,玛丽·德拉霍考皮洛娃,约瑟夫·布拉哈,弗兰季塞克·彼得卡,奥塔·斯克伦奇卡,斯瓦托普卢克·本尼斯,兹登卡·霍德尔,古斯塔夫·奥波琴斯基,彼得·纳罗兹尼,霍斯特·吉泽,卡雷尔·哈布尔,扬·普热乌奇尔,米罗斯拉夫·莫拉韦茨,伊里·拉布斯,尤莉·尤里斯托娃,亚娜·克劳索娃,伊里·里拉,维克托·毛雷尔,兹德涅克
384
6.0
已完结
关于在短时间内的某几个人的经过
6.0
上映时间:05月05日 19:30
主演:未知
简介:Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.  These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.  Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.  Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.  Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.  The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.  Our camera has captured for you a few aspects of a provisional microsociety.  The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.  This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.  The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...  Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�  Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.  Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.  On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.  Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.  Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.  Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.  Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.  The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.  What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.  Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.  Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.  Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.  Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.  Voice 2 Years, like a single instant prolonged to this point, come to an end.  Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.  Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept  Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.  Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.  Voice 1 Really hard to drink more.  Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.  Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.  Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.  The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.  To really describe this era it would no doubt be necessary to show many other things. But what would be the point  Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.  1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
384
已完结
关于在短时间内的某几个人的经过
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